Scene & Sequel

Scene & Sequel:

How to Generate Character-Driven Momentum,
Control Pacing, and Write a Page-Turning Story

January 6 – February 3, 2022

Deadline: December 6, 2021

Instructor:

Gregory Ashe

Level:

Beginner to Intermediate

Live Class:

7 pm-8:30 pm EST
Thurs., Jan. 6
Thurs., Jan. 20
Thurs, Feb. 3

Tuition:

$249.00

Course Description

Do you struggle to structure your story?  To convey the impact of events on your protagonist and have the protagonist drive the plot?  Are you uncertain where to slow down, where to speed up, and how to do either?  Would you like to take readers on an emotional, page-turning experience?

The key to these issues is the skillful use of scenes and sequels.

This course covers the structure and function of scene and sequel for storytellers. Students will learn the elements of scene, the elements of sequel, and how scene and sequel work together. Scene and sequel will be discussed as techniques for both micro- and mid-level plotting; writers who prefer not to outline or plot will learn how to use scene and sequel to draft effectively and identify structure in revision.

Students will also learn how this framework provides better control over other elements of story. In particular, students will learn how to use scene and sequel to ensure that their characters have goals and purpose in order to move the story forward. Students will learn how scene and sequel—along with a variety of other narrative elements—affect pacing, with the result that students will better be able to diagnose and control the pacing of their stories. The course will analyze the concept of a ‘page-turner,’ and explore how scene and sequel can keep readers turning the pages.

Students will also hone their ability to dissect other authors’ work, particularly when it comes to plot and pacing. This practice will help students to continue mastering these techniques independently after the conclusion of the course.

The course is intended for writers of fantastic fiction, an umbrella term encompassing fantasy, science fiction, horror, magical realism, and anything in between. Yet the concepts of scene and sequel are important in all fiction writing, so fiction writers who focus on other genres could profit from this class and would be welcome. The course will cover issues relevant in middle grade, young adult, and adult fiction.

It will be most valuable for beginner to intermediate writers.

Students must be ready to hear about the weaknesses in their writing and to work to strengthen them. Students must also be ready to give feedback to their classmates that is both truthful and helpful.

Our goal as a class is to provide a supportive yet challenging environment that will help students improve their writing.

Each student will have a private meeting with Greg.

Assignments:

Students will have some homework assigned before the first meeting, and will also be assigned homework during the course.

The first assignment will have a due date of January 5, the day before our initial meeting.

Homework will be assigned on January 6 and 20, with due dates, respectively, of January 12 and 26. You will also be required to provide critiques of some of your classmates’ work, which will be due on January 19 and February 2. Any student who misses a deadline may be expelled from the class and will receive no refund.

All assignments should be in standard manuscript format and should be submitted as MS Word files or rich text files.

You should reserve a minimum of 5 hours each week to complete homework.

Assignments will include reading and analyzing assigned texts, critiquing, performing exercises to practice techniques, writing new material, analyzing your previously written material, and revising previously written material. Students will also be required to reply to online discussion questions during the course.

Greg will return students’ homework with his feedback by the day before the next class session.

Students are expected to follow guidelines about assignments and class materials established in the Odyssey Online Student Handbook.

Attendance:

Since we will have only 3 class meetings, attendance at every class is necessary for students to get the most out of this course.

You are expected to attend all classes, except in cases of emergency. In such cases, you should notify the instructor.

Classes will be recorded and made available to students for a limited time.

Any student who misses more than one class may be expelled from the course and will receive no refund.

It is your responsibility to find out what happened in any classes you missed and to complete homework by the deadlines.

Students are expected to follow the policies about attendance and behavior set out in the Odyssey Online Student Handbook.

Texts:

Students will be required to complete several readings before the course begins. Additional readings may be required after the course begins.

Technical Requirements:

Technical requirements for all Odyssey Online Classes are covered on the Online Classes page.

Tentative Schedule:

January 6:     First class meeting. Introduction and orientation. The elements of story. Writing what you like to read. Characters and character goals. Creating a character with purpose to drive your story forward. What a scene is not. Elements of scene. Uses of scene. Assignment of homework.

January 12:  Homework is due.

January 19:  Critiques are due. Homework is returned with Greg’s feedback.

January 20:  Second class meeting. Discussion of previous homework assignment. What a sequel is not. Elements of sequel. Uses of sequel. Scene and sequel as functional (rather than organizational) tools. Using sequel to make readers feel the impact of the plot on the character. Assignment of new homework. Some students will have private meetings with Greg after class.

January 26:  Homework is due.

January 27:  Some students will have private meetings with Greg between 7:00-8:30 PM EST.

February 2:  Critiques are due. Homework is returned with Greg’s feedback.

February 3:  Third class meeting. Discussion of previous homework assignment. Scene, sequel, and pacing. Other narrative elements and pacing. What is a page-turner? Techniques to write a page-turning story. How to maintain ongoing, independent learning. Wrap-up. Some students will have private meetings with Greg after class.

Gregory Ashe

Instructor: Gregory Ashe

Gregory Ashe is a bestselling author and longtime Midwesterner. He has lived in Chicago, Bloomington (IN), and Saint Louis, his current home. He primarily writes contemporary mysteries, with forays into romance, fantasy, and horror. Predominantly, his stories feature LGBTQ protagonists. When not reading and writing, he is an educator. He is a graduate of the Odyssey workshop and taught at Odyssey 2021. For more information, visit his website: www.gregoryashe.com.